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Tabby came from nothing, I came from nothing, we were terrified that they would take this thing away from us. I never thought of myself as a horror writer. Every year we give away the same money to different people… it’s like chucking money into a hole. My sister-in-law, Stephanie, she organizes it and we all sit down and give away money. Yesterday, we had a meeting of the King Foundation (the private foundation King funds that gives to many charitable causes). We have enough money to buy food and have things. But not just a popular novelist: It does not matter what he writes, it seems, he is always “a horror writer”. He’s a popular novelist, which used to be, perhaps still is, a description of the author of a certain type of book: one that will repay you for reading it in pleasure and in plot. We just write the next book) is peculiarly teflon. His career (writers do not have careers, most of us. He exists on the border of popular fiction (and, on occasion, non-fiction). Given the hugeness of King’s career, it is difficult to describe anything he does as an anomaly.
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It has elements of horror, but they exist almost as a condiment for something that’s partly a tightly researched historical novel, partly a love-story, and always a musing on the nature of time and the past. It is, as always with King, the kind of fiction that forces you to care what happens, page after page. It’s about a High school English teacher (as King was, when he wrote Carrie) who goes back from 2011 to 1958, via a wormhole in time located in the stockroom of an ancient diner, with a mission to save John F. They were poor, and then King sold Carrie, and everything changed, and he kept writing.ĭriving down to Florida I listened, for over thirty hours, to the audiobook of King’s time travel novel, 11/22/63. I trusted him.Ĭarrie was the book that King started and abandoned, and which Tabby King pulled out of the waste paper basket, read and encouraged him to finish. After that I bought everything King wrote as it came out. I stayed up late finishing Salem’s Lot, loving the Dickensian portrait of a small American town destroyed by the arrival of a vampire. It was King’s second novel I’d missed the first, Carrie, about a teenage girl with psychic powers. I picked up a book with an all-black cover. My first encounter with Stephen King, long before I met him in the flesh, was on East Croydon station in about 1975. He is 64 and he looks younger than he did a decade ago. There are wrought iron bats and gargoyles on the gates.Īnd now, another decade, and when King comes out of the parking bay in the Sarasota Key to greet me, he’s looking good. It looks like the sort of place that somebody like Stephen King ought to live and work. I know this although I have never been there. Stephen King’s house in Bangor, Maine is gothic and glorious. He grumbled about the pain of walking downstairs. He seemed frail, then, and grey, only recently recovered from a long stay in hospital after being hit by an idiot in a van, and the hospital infections that had followed it. Afterwards we talked in the tiny toilet in the back of the theatre, the only place King could smoke a furtive cigarette. The next time I met Stephen King, in 2002, he pulled me up on stage to play kazoo with the Rock Bottom Remainders, a ramshackle assemblage of authors who can play instruments and sing and, in the case of author Amy Tan, impersonate a dominatrix while singing Nancy Sinatra’s These Boots are Made For Walkin’. After that, everyone in America knew what I looked like.” He was tall and dark-haired, and Joe and Owen looked like younger clones of their father.
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But I wouldn’t have done the American Express ‘Do You Know Me?’ TV ad. “If I had my life over again,” said King. I sat in his hotel suite, met his wife, Tabitha, who is Tabby in conversation, and his then-teenage sons, Joe and Owen, and we talked about writing and about authors, about fans and about fame. “The first time I met Stephen King was in Boston, in 1992. In attesa del prossimo volume, che riapre la saga della Torre Nera, ecco cosa si sono detti: Coincidenza, proprio in questi giorni Neil Gaiman aveva incontrato lo scrittore per parlare di alcuni progetti futuri. Come sempre nei suoi libri, l’idea iniziale e’ solo un pretesto per introdurre dei personaggi che, nella gran parte dei casi, il lettore impara ad amare come se fossero reali. ieri ho finito di leggere l’ultimo lavoro di Stephen King, 11/22/63…in cui un insegnante di Inglese torna indietro nel tempo per evitare l’uccisione di Kennedy. Books: Stephen King & Neil Gaiman talking a little bit